When this is complete, a new window appears with a timeline showing how the clip divides into sections.
You choose a clip, and right click to edit in this mode, which begins analysis of the footage. The Content Aware Editing system is an interesting new addition, although it isn’t included in the Deluxe version, just Ultra and above. This allows PowerDirector to handle digital cinema footage shot on Hollywood-grade cameras like the RED, although there is no native support for RED’s REDCODE R3D files, so these have to be converted to MPEG-4 prior to import. The former has a horizontal resolution of 2,048 pixels, and the latter 4,096 pixels. CyberLink looks further into the future with version 11 by adding support for both 2K and 4K footage.
#Cyberlink powerdirector no sound from video software
But the software was very usable even with multiple layers of AVCHD test footage.ĬyberLink PowerDirector 11 4K CompatabilityĪs we mentioned at the beginning of this review, PowerDirector already had the most comprehensive native support for 3D footage in version 10. Our test system was packing a 2.2GHz quad-core AMD Phenom 9550 with 6GB of DDR3 SDRAM and NVIDIA Quadro FX 1700 graphics, so a relatively modest specification by today’s standards. We found scrubbing and playback pretty slick when we did use accelerated effects, although this will vary depending on the host hardware. However, only a portion of PowerDirector’s effects are GPU-accelerated. There’s also optimisation for AMD second-generation APUs as well as Fusion and Vision. With version 11, PowerDirector can also harness multiple graphics cards, including Intel HD 30 integrated graphics alongside a discrete graphics chispet. In version 10, aside from being 64-bit and multithreaded, to make the most of a multi-core CPU, it was accelerated by OpenCL and CUDA, so could harness the power of most recent AMD and NVIDIA graphics cards. The rendering engine already seemed to support every hardware acceleration available. There have been some noticeable improvements under the hood, however. The interface isn’t noticeably different from the previous incarnation, with the fact that media library thumbnails can be resized easily using a slider being the most obvious enhancement. With such powerful new capabilities on hand from these two new additions, the main PowerDirector application doesn’t feel like it has quite such significant enhancements on its own. If you purchase the PowerDirector 11 Director Suite bundle, you also get the increasingly powerful PhotoDirector, now in its fourth incarnation.
However, the new apps are only included in the new, more expensive PowerDirector Ultimate and Director Suites, which cost £199.99 and £239.99 respectively, pushing the price for PowerDirector into new territory which not many video applications have inhabited for some years. This is broadly similar to Adobe’s DynamicLink, and makes ColorDirector and AudioDirector essentially function as super-powerful plug-ins. Used alongside PowerDirector 11, they both provide round-trip editing, where you can call them from within PowerDirector, with any changes you make being reflected back to the host app.
For now, suffice it to say that ColorDirector brings features you would normally expect to see in a high-end video tool like Adobe After Effects, whilst AudioDirector provides powerful audio facilities akin to Adobe Audition or SoundForge. We will be looking at the features of these two newcomers, which can also be purchased and used standalone, later in this review. The biggest news about PowerDirector 11 is that CyberLink has branched out to include two additional helper applications, ColorDirector and AudioDirector. With PowerDirector 11, however, CyberLink hopes to climb yet another rung up the ladder, and potentially topple its competitors. PowerDirector 10 is still the consumer video editing application with the most comprehensive support for 3D. But the company’s strong video patent portfolio and determination has lifted PowerDirector slowly and surely towards being taken seriously alongside the alternatives from Adobe, Corel / Ulead and Avid / Pinnacle. CyberLink’s PowerDirector used to be a rather limited video editing software that was bundled with everything under the sun, from graphics cards to optical drives.
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